Lara is appointed by MI:6 with stopping Reiss because opening the box would unleash an amazingly nasty plague upon the world. Seems that mad scientist Jonathan Reiss (Ciaran Hinds) is looking for Pandora's Box, and the orb is the key to finding it. ![]() While there, she is attacked by Chinese mercenaries, her support crew killed and left for dead, the mercenaries making off with a mysterious glowing orb. The film begins with Lara diving into a sunken temple off the coast of Greece. She's a better 007 than Timothy Dalton in any case. Lara is a British citizen of refined taste, highly competent in various forms of weaponry, travels around the globe to exotic locations, has friends (and lovers) in virtually every port, uses a wide variety of nifty gadgets, has an amusing yet dry form of wit, looks fabulous, and routinely saves the world from a madman bent on global domination. Actually, this is a review of "Lara Croft Tomb Raider: The Cradle Of Life", the sequel to 2001's abysmally dull video-game-based film "Tomb Raider." Angelina Jolie is back as sexy, gun-toting archeologist Lara Croft, and at first glance, it's easy to mistake her for Bond, Jane Bond. The series has been re-energized with the new entry "The Cradle Of Life," a high-spirited, far-reaching film that doesn't quite succeed but is such an improvement on the originals that you're ready to overlook all that. "Die Another Day" suffered from much of the same, but was also saddled with an inexplicable amount of stereo feedback and one of the oddest (if catchiest) theme songs in recent memory. "The World Is Not Enough" was a debacle of miscasting and an an endless parade of meaningless subplots and tertiary characters. Let's face it, the James Bond franchise has become rather limp lately.
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